Possible topics and questions:
- The two sides of Montag: Clarisse and Mildred
- How does Faber's argument to Montag stack up to Beatty's?
- The use of fire (and water) as metaphoric language throughout the book, and the significance of it.
- Why is Montag still not convinced after Beatty's seemingly convincing argument?
- What do the continued references to Montag's hand mean?
- Does Mildred really care for Montag, and if she doesn't why are they married?
- Does Mildred also have a part of her that can think or wants to escape?
- Is Beatty really trying to convince Montag or just mess with him and push him towards trouble?
- What is Ray Bradbury trying to say with his depiction of advertisements?
- The two sides of Montag: Clarisse and Mildred
- How does Faber's argument to Montag stack up to Beatty's?
- The use of fire (and water) as metaphoric language throughout the book, and the significance of it.
- Why is Montag still not convinced after Beatty's seemingly convincing argument?
- What do the continued references to Montag's hand mean?
- Does Mildred really care for Montag, and if she doesn't why are they married?
- Does Mildred also have a part of her that can think or wants to escape?
- Is Beatty really trying to convince Montag or just mess with him and push him towards trouble?
- What is Ray Bradbury trying to say with his depiction of advertisements?
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